Sumários

Week 14

15 Dezembro 2025, 18:30 Maile Colbert

M.3 Presentations


Week 13

9 Dezembro 2025, 14:00 Maile Colbert

Compression: https://www.reaper.fm/videos.php#l87vi7mEQC0

                         Reacomp: https:// www.reaper.fm/videos.php#K-v1euba3V0

 

Dynamics (volume automation and compression): https://www.reaper.fm/videos.php#pj14aKySE-4

 

Final EQ, Compression, Limiter on the Master Track: https://www.reaper.fm/videos.php#mK8OBOJ58tg

 

Rendering your final file: https://www.reaper.fm/videos.php#OM_z6KdX1_8



Work in Progress Presentations


Week 13

9 Dezembro 2025, 11:00 Maile Colbert

Compression: https://www.reaper.fm/videos.php#l87vi7mEQC0

                         Reacomp: https:// www.reaper.fm/videos.php#K-v1euba3V0

 

Dynamics (volume automation and compression): https://www.reaper.fm/videos.php#pj14aKySE-4

 

Final EQ, Compression, Limiter on the Master Track: https://www.reaper.fm/videos.php#mK8OBOJ58tg

 

Rendering your final file: https://www.reaper.fm/videos.php#OM_z6KdX1_8



Work in Progress Presentations


Week 13

9 Dezembro 2025, 08:30 Maile Colbert

Compression: https://www.reaper.fm/videos.php#l87vi7mEQC0

                         Reacomp: https:// www.reaper.fm/videos.php#K-v1euba3V0

 

Dynamics (volume automation and compression): https://www.reaper.fm/videos.php#pj14aKySE-4

 

Final EQ, Compression, Limiter on the Master Track: https://www.reaper.fm/videos.php#mK8OBOJ58tg

 

Rendering your final file: https://www.reaper.fm/videos.php#OM_z6KdX1_8



Work in Progress Presentations


Week 12

2 Dezembro 2025, 14:00 Maile Colbert

Práticas do Som week 12:

 

 

 

      graphic notion and graphic scores: Graphic notation (or graphic score) is the representation of music through the use of visual symbols outside the realm of traditional music notation. Graphic notation became popular in the 1950s, and can be used either in combination with or instead of traditional music notation.

 

A heart shaped sheet music with music notes

Description automatically generated

 

Graphic Scores: also called “graphic notation”. Graphic notation (or graphic score) is the representation of music through the use of visual symbols outside the realm of traditional music notation. Graphic notation became popular in the 1950s, and can be used either in combination with or instead of traditional music notation.[1] Graphic notation was influenced by contemporary visual art trends in its conception, bringing stylistic components from modern art into music.[2] Composers often rely on graphic notation in experimental music, where standard musical notation can be ineffective. Other uses include pieces where an  undetermined effect is desired. One of the earliest pioneers of this technique was Earle Brown, who, along with John Cage, sought to liberate performers from the constraints of notation and make them active participants in the creation of the music.[3]

 Though its most popular usage occurred in the mid-twentieth century, the first evidence of graphic notation dates back much earlier. Originally called "eye music", One of the earliest surviving pieces of eye music is Belle, Bonne, Sage by Baude Cordier, a Renaissance composer. His score, formed in the shape of a heart,

 

-Graphic and Visual Scores, explanation, examples, performances of:

 

https://schoolofnoise.com/global-graphic-score-project/what-are-graphic-scores/

 

https://www.theguardian.com/music/gallery/2013/oct/04/graphic-music-scores-in-pictures

 

https://www.google.com/search?q=grafic+score+rules+and+instructions&ved=2ahUKEwiQu92biueCAxUET6QEHbAHDDcQ2-cCegQIABAA&oq=grafic+score+rules+and+instructions&gs_lcp=CgNpbWcQAzoECCMQJzoFCAAQgAQ6CggAEIAEEIoFEEM6BggAEAUQHjoGCAAQCBAeOgQIABAeOgkIABCABBAYEAo6BwgAEIAEEBhQjh5YmVJgrlVoAHAAeACAAccBiAGWH5IBBDQuMzKYAQCgAQGqAQtnd3Mtd2l6LWltZ8ABAQ&sclient=img&ei=pBBmZZDZM4SekdUPsI-wuAM&bih=607&biw=1424&rlz=1C5CHFA_enPT971PT971&udm=2

 

Cathy Berbian: https://www.youtube.com/watch?v=0dNLAhL46xM

John Cage: https://www.youtube.com/watch?v=gXOIkT1-QWY

 

"There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. Sounds occur whether intended or not; the psychological turning in direction of those not intended seems at first to be a giving up of everything that belongs to humanity. But one must see that humanity and nature, not separate, are in this world together, that nothing was lost when everything was given away." John Cage, Silence, “Lecture on Nothing”, p 109

 

Kurt Hermann Eduard Karl Julius Schwitters (20 June 1887 – 8 January 1948) was a German artist who was born in Hanover, Germany.

Schwitters worked in several genres and media, including Dadaismconstructivismsurrealism, poetry, sound, painting, sculpture, graphic designtypography, and what came to be known as installation art. He is most famous for his collages, called "Merz Pictures".

 

Ursonate, de Kurt Schwitters (full poem in folder)

            - https://www.researchgate.net/figure/Ursonate-de-Kurt-Schwitters_fig3_321987485

            https://www.google.com/search?sca_esv=588018538&rlz=1C5CHFA_enPT971PT971&sxsrf=AM9HkKlxBBxcDo7Hv-ey4ytdHtx2qD00FA:1701786977926&q=Ursonate+score&tbm=isch&source=lnms&sa=X&ved=2ahUKEwimzLXCwviCAxUsUaQEHZfNAZ0Q0pQJegQIDBAB&biw=1659&bih=876&dpr=1#imgrc=NEK9poySigWOcM

            https://www.youtube.com/watch?v=1qLKu3R8no4