Sumários
Week 1 Tuesday
9 Janeiro 2024, 14:00 • Maile Colbert
Introductions to course, teacher, students. Presentation of the objectives, contents and evaluation of the UC.
Brief explanation of the main issues surrounding sound and main approaches in the context of Multimedia Art and the like.
Discussion of how we hear (passive) and how we listen (active).
Steve Peter’s “Hearings” – translation of sound to text (towards sound notes)
Exploring place by listening, acoustics can lead to surprising things. How we hear, how we listen, what we listen for – from early human survival, to aesthetics.
-bandpass filters and equalizers
-“high frequencies charge our brains”
-panning
Week 1 Tuesday
9 Janeiro 2024, 11:00 • Maile Colbert
Introductions to course, teacher, students. Presentation of the objectives, contents and evaluation of the UC. Brief explanation of the main issues surrounding sound and main approaches in the context of Multimedia Art and the like. Discussion of how we hear (passive) and how we listen (active). Steve Peter’s “Hearings” – translation of sound to text (towards sound notes) Hildegarde Westerkamp “Kit Beach Soundwalk” – The electroacoustic chain and basic stages of sound creation: listening, planning, recording, creative editing and processing, mixing and mastering. Exploring place by listening, acoustics can lead to surprising things. How we hear, how we listen, what we listen for – from early human survival, to aesthetics.
-bandpass filters and equalizers -“high frequencies charge our brains” -panning -psychoacoustics |
Week 1 Tuesday
9 Janeiro 2024, 08:30 • Maile Colbert
Introductions to course, teacher, students. Presentation of the objectives, contents and evaluation of the UC.
Brief explanation of the main issues surrounding sound and main approaches in the context of Multimedia Art and the like.
Discussion of how we hear (passive) and how we listen (active).
Steve Peter’s “Hearings” – translation of sound to text (towards sound notes)
Exploring place by listening, acoustics can lead to surprising things. How we hear, how we listen, what we listen for – from early human survival, to aesthetics.
-bandpass filters and equalizers
-“high frequencies charge our brains”
-panning
Week 2 Monday
8 Janeiro 2024, 18:30 • Maile Colbert
Basic components (M1.1) Listening to Location and Time
review: 5 Hildegard Westerkamp - Kits Beach Soundwalk (1989).mp4
phase_ii_(friend_file) (720p).mp4
Here-ings — Steve Peters.webloc
Discussion of Ross Lipman’s screening/performance – sound in time, the sound of recording material through time, what that can provoke in listeners.
Time and space: Alvin Lucier “I Am Sitting In a Room”
Homework: Describe Five Sound Memories
Listening and deep listening practices, towards recording, introduction to first project
Alvin Lucier - I Am Sitting In A Room, 1981.mp4
Iannis Xenakis - Concret PH.mp4
Week 2 Monday
8 Janeiro 2024, 18:30 • Maile Colbert
Basic components (M1.1) Listening to Location and Time
review: 5 Hildegard Westerkamp - Kits Beach Soundwalk (1989).mp4
phase_ii_(friend_file) (720p).mp4
Here-ings — Steve Peters.webloc
Discussion of Ross Lipman’s screening/performance – sound in time, the sound of recording material through time, what that can provoke in listeners.
Time and space: Alvin Lucier “I Am Sitting In a Room”
Homework: Describe Five Sound Memories
Listening and deep listening practices, towards recording, introduction to first project
Alvin Lucier - I Am Sitting In A Room, 1981.mp4
Iannis Xenakis - Concret PH.mp4