Sumários
Week 4 Tuesday
28 Novembro 2023, 08:30 • Maile Colbert
review:
Basic components (M1.3) The audio project
Organization of a project: Stems (groupings). Usual Stems: Voices, Ambience/Effects, Music. Mixing lanes and pathways. Master fader; groups/subgroups, busses. Effects and inserts. Case studies: organizing audio projects in Reaper.
Basic components (M1.3) The audio project (cont.).
Application exercise: Continuation of the previous exercise; transfer of initial projects to the chosen DAW and project organization according to indicated methodologies. Creation of different versions containing different environments, effects and music, proposing different atmospheres through the added elements. The electroacoustic chain and stages of sound creation: post-production - processing of sound signals - dynamic and spectral treatments. |
Week 5 Monday
27 Novembro 2023, 18:30 • Maile Colbert
Basic components (M1.3) Acoustic and psychoacoustical elements. Incidences of perception in sound treatment.
Elements of acoustics and psychoacoustics:
Hearing aid operation.
Representation of sound signals, waves, sonograms and spectrograms. Frequency, Amplitude and their perceptual correlates (pitch and loudness). Harmonics of a sound.
Simple Reaper Tutorial:
https://www.youtube.com/watch?v=_shjd4GBILo
Sound is vibration that is perceived and becomes known through its materiality.
Metaphors for sound construct perceptual conditions of hearing
and shape the territories and boundaries of sound in social life. Sound
resides in this feedback loop of materiality and metaphor, infusing words
with a diverse spectrum of meanings and interpretations. To engage
sound as the interrelation of materiality and metaphor is to show how
deeply the apparently separate i elds of perception and discourse are entwined
in everyday experiences and understandings of sound, and how
far they extend across physical, philosophical, and cultural contexts.
-Keywords in Sound, ed. David Novak and Matt Sakakeeny
“A sonic sensibility makes thinkable complex connections and trajectories in time and space.” (Voegelin, 2010, p. xvi)
Week 5 Monday
27 Novembro 2023, 18:30 • Maile Colbert
Basic components (M1.3) Acoustic and psychoacoustical elements. Incidences of perception in sound treatment.
Elements of acoustics and psychoacoustics:
Hearing aid operation.
Representation of sound signals, waves, sonograms and spectrograms. Frequency, Amplitude and their perceptual correlates (pitch and loudness). Harmonics of a sound.
Simple Reaper Tutorial:
https://www.youtube.com/watch?v=_shjd4GBILo
Sound is vibration that is perceived and becomes known through its materiality.
Metaphors for sound construct perceptual conditions of hearing
and shape the territories and boundaries of sound in social life. Sound
resides in this feedback loop of materiality and metaphor, infusing words
with a diverse spectrum of meanings and interpretations. To engage
sound as the interrelation of materiality and metaphor is to show how
deeply the apparently separate i elds of perception and discourse are entwined
in everyday experiences and understandings of sound, and how
far they extend across physical, philosophical, and cultural contexts.
-Keywords in Sound, ed. David Novak and Matt Sakakeeny
“A sonic sensibility makes thinkable complex connections and trajectories in time and space.” (Voegelin, 2010, p. xvi)
Week 4 Monday
27 Novembro 2023, 18:30 • Maile Colbert
Basic components (M1.3) Acoustic and psychoacoustical elements. Incidences of perception in sound treatment.
Elements of acoustics and psychoacoustics:
Hearing aid operation.
Representation of sound signals, waves, sonograms and spectrograms. Frequency, Amplitude and their perceptual correlates (pitch and loudness). Harmonics of a sound.
Simple Reaper Tutorial:
https://www.youtube.com/watch?v=_shjd4GBILo
Sound is vibration that is perceived and becomes known through its materiality.
Metaphors for sound construct perceptual conditions of hearing
and shape the territories and boundaries of sound in social life. Sound
resides in this feedback loop of materiality and metaphor, infusing words
with a diverse spectrum of meanings and interpretations. To engage
sound as the interrelation of materiality and metaphor is to show how
deeply the apparently separate i elds of perception and discourse are entwined
in everyday experiences and understandings of sound, and how
far they extend across physical, philosophical, and cultural contexts.
-Keywords in Sound, ed. David Novak and Matt Sakakeeny
“A sonic sensibility makes thinkable complex connections and trajectories in time and space.” (Voegelin, 2010, p. xvi)
Week 5 Tuesday
21 Novembro 2023, 14:00 • Maile Colbert
Recording equipment workshops
In the class Google Drive, you will now see the addition of a document with links to tutorials covering the plug-ins we have gone over so far. I will continue to update this each week, and will also add links to other freeware and open-source/access plug-ins as we explore them. Please feel free to add as well, just make sure they are free :)
32273d1393521228f773a0dbd295ce9b.jpg
Annea_Lockwood_-_A_Sound_Map_of_the_Housatonic_River_excerpts.mp3
blog-choosing-the-right-microphone.jpg
hydrophone blue whale.mp3
Maile mics and listening devices
PXL_20231017_154301994.jpg
ReaEffectsGuide.pdf
Screen-Shot-2018-05-02-at-1.15.59-PM.webp
VLF recordings NASA