Sumários

Class 24

30 Setembro 2024, 18:30 • Maile Colbert

presentation from former student Laggy: https://laggy-2004.itch.io/

Class 24

30 Setembro 2024, 18:30 • Maile Colbert

presentation from former student Laggy: https://laggy-2004.itch.io/

Class 25

24 Setembro 2024, 14:00 • Maile Colbert

WIP (work in progress) presentations

More free plugins! :

Youlean Loudness meter: https://youlean.co/online-loudness-meter/

Binaural: https://www.audiopluginsforfree.com/tag/binaural/#google_vignette

Some things we didn’t have time for (in case you might want to work on a graphic score)

1. Graphic Scores: also called “graphic notation”. Graphic notation (or graphic score) is the representation of music through the use of visual symbols outside the realm of traditional music notation. Graphic notation became popular in the 1950s, and can be used either in combination with or instead of traditional music notation.^[1] Graphic notation was influenced by contemporary visual art trends in its conception, bringing stylistic components from modern art into music.^[2] Composers often rely on graphic notation in experimental music, where standard musical notation can be ineffective. Other uses include pieces where an undetermined effect is desired. One of the earliest pioneers of this technique was Earle Brown, who, along with John Cage, sought to liberate performers from the constraints of notation and make them active participants in the creation of the music.^[3]

Though its most popular usage occurred in the mid-twentieth century, the first evidence of graphic notation dates back much earlier. Originally called "eye music", One of the earliest surviving pieces of eye music is Belle, Bonne, Sage by Baude Cordier, a Renaissance composer. His score, formed in the shape of a heart,

-Graphic and Visual Scores, explanation, examples, performances of:

https://www.theguardian.com/music/gallery/2013/oct/04/graphic-music-scores-in-pictures

https://schoolofnoise.com/global-graphic-score-project/what-are-graphic-scores/

"There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. Sounds occur whether intended or not; the psychological turning in direction of those not intended seems at first to be a giving up of everything that belongs to humanity. But one must see that humanity and nature, not separate, are in this world together, that nothing was lost when everything was given away." John Cage, Silence, “Lecture on Nothing”, p 109

2. Kurt Hermann Eduard Karl Julius Schwitters (20 June 1887 – 8 January 1948) was a German artist who was born in Hanover, Germany.

Schwitters worked in several genres and media, including Dadaism, constructivism, surrealism, poetry, sound, painting, sculpture, graphic design, typography, and what came to be known as installation art. He is most famous for his collages, called "Merz Pictures".